In a recent interview with Yemi Abiade for issue 37 of BEAT Magazine, global Afrobeats sensation Davido made a bold declaration: “Afrobeats can’t be brought up without my name. Impossible.” These words capture the confidence of an artist whose influence has undeniably shaped the trajectory of the genre on a global scale.
Since bursting onto the scene with hits like Dami Duro and Fall, Davido has become a household name, breaking records, selling out arenas, and collaborating with international superstars. His unique ability to merge African rhythms with global sounds has not only expanded the reach of Afrobeats but also introduced millions to the vibrancy of African culture.
Now, as he gears up for the release of his highly anticipated album 5ive, slated to drop in March 2025, Davido is once again ready to redefine the soundscape. The album promises to be a masterpiece, reflecting his growth as an artist and his deep connection to his roots.
Speaking with Abiade, Davido reflected on his journey and the challenges he faced as a pioneer of a genre that has taken the world by storm. From winning prestigious awards to performing on some of the biggest stages globally, his career is a testament to his resilience and vision.
While Afrobeats has seen a surge in international acclaim over the last decade, Davido’s contributions stand out. He has consistently pushed boundaries, whether by collaborating with artists like Chris Brown, Summer Walker, or Nicki Minaj, or by headlining sold-out shows at venues like London’s O2 Arena. His influence is undeniable, and with 5ive, he seems poised to take his artistry to even greater heights.
The BEAT Magazine interview dives deeper into Davido’s ambitions, offering fans a glimpse into his mindset as he prepares to dominate 2025. For Davido, the mission is clear: to keep shining a spotlight on Afrobeats and to ensure that his name remains synonymous with the genre’s global success.
With the world eagerly awaiting his next move, Davido continues to embody the spirit of Afrobeats—bold, innovative, and unapologetically African. As he puts it, “Impossible” to discuss the genre without him? That might just be
